Concilium Plebis #1

PROJECT: Concilium Plebis

"Harking back to the early 17th Century paintings of Caravaggio, Emma Tooth's Concilium Plebis comprises a series of portraits which present people who are often derided as 'chavs' and 'hoodies' in traditional religious poses.

 

A single mother and her child resemble the Virgin Mary and baby Jesus; a hooded youth looks up to the sky in saintly contemplation; and a bare-chested young man holds his arms outstretched as if nailed to the cross...

 

In each of the gilded-framed portraits, Tooth masterfully mimics Caravaggio's trademark use of chiaroscuro, giving her subjects a celestial glow that further adds to the aura of divinity.

 

Although it might initially appear as if Tooth is mocking her subjects, using members of the public as models for biblical scenes is exactly what Caravaggio did 400 years ago. By depicting a girl dressed in a hooded top with gold hooped earrings as the Virgin Mary, Tooth not only challenges negative connotations, but also suggests that anyone can be touched by the divine."

 

 - The Metro, Art Review by Christopher Collett

extraordinary portraits of ordinary people

 

oil on canvas, 2007, 61 x 91.5 cm

private collection

"A cutting edge attitude to their selection of artists has done Lazarides proud and a testament to this is their excellent group show Grifters...  with a witty, fashionable and a distinctly urban feel. Highlights include Emma Tooth [who] has given the Madonna and Child a Croydon Town make-over... one not to miss!"

 

- OpenMagazine.co.uk

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ELIZABETH EMMA TOOTH

© 2017 Copyright ELIZABETH EMMA TOOTH